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Artist workshop 'Tropical lab", Lasalle College of the arts, Singapore, 2012

Bezalel Academy of Art & Design, M.F.A program, 2011-2013
Sorbonne, French Language, 2011

Tel Aviv University, Completion of literature conversion course to B.A., 2009-2010
Alma College a Home for Hebrew culture, “Amitim Course”, 2007-2009

Bezalel Academy of Art & Design, B.F.A, 2003-2007

Slade School of Fine Arts, student exchange program, London, 2006

City & Guilds of London Art School, foundation course, 2002-2003

Group Exhibitions

Bachlorhood, Koresh 14, Jerusalem, 2014

Bezalel Academy MFA Graduate show, 2013

Land, Lasalle College of the arts, Singapore, 2012
Performance in collaboration with artist Majida Khattari, Habima theatre, TA 2012

Fantasy Magazine, Koresh 14, Jerusalem, 2011

Entrance, Tal Gallery, Kfar Havradim, 2010

Lablama Body Project, NY, 2009

Shmua, Private House for Contemporary Art, Herzlia, 2009

Abstract Now, Kayma Gallery, Jaffa 2009

Ramat Hasharon Biennale for Young Artists, 2008

Mivtza Koresh, curator & organizer, Jerusalem 2008

Supreme now, Hanina Gallery, 2008

Snap shot, Ironi Ramle Gallery, 2008

Secret Art, Leumi Tel Aviv, 2007

Mivtza Koresh, curator & organizer, Jerusalem 2007

Bezalel Academy Graduate show, 2007

Video group exhibition, Tzavta Theatre Tel Aviv, 2007

Gender Space, The open house, Jerusalem, 2007

The Woburn Show, Group Show, the Slade School of Art: London, 2006

Young Encounter, Tal Gallery, Kfar Vradim, 2005

Final exhibition, Foundation City & Guilds of London Art School, 2003

Portraits, Alternative Space, Tarshiha, 2003


Solo Exhibition

The Hayek Center for Contemporary Art, Exhibition and Lecture, 2010


Additional information

I am one of the Co-founders and initiators of the Koresh14 organization of culture and art.
Koresh14 is a non-profit organization that was developed within the premises of a large housing
complex in Jerusalem.


Lorin & Mitchell Parser award, 2007



Private collections

Leumi Bank collection



Exhibition catalogue pages 56-59, Lablama Body Project, NY, 2009

Interview, Abstract Now, Kayma Gallery, Jaffa 2009

The limits of movement of art, Smadar Shefi, Haaretz, Gallery page 3, 14.8.2007

One saint, Yuval Ninio, Israel Today, culture, page 16, 2.8.2007

For the house, Niv Chaclili, Maariv, culture, 9.11.2007

Bezalel Graduate Exhibition, Yonatan Hirschfeld, The new gallery, artend 31.7.2007



Work Experience
Art Workshops at Koresh 14, Jerusalem, 2013-2014
Film screening and Lectures ,2013-2014

Art instructor at Nachum Gutman Museum of Art – Painting classes, portfolio preparation and personal guidance, 2010-2012

Co-founder and initiator of the Koresh organization of culture and art 2007- 2010

Graphic Designer, The Marker newspaper, 2008
Computer consultant, Hebrew University, 2005-2007


Additional info

Speaks fluently Hebrew and English, Basic French, Basic Arabic


large scale paintings on synthetic grass, pigments, wood and spray paint, 2016

The Persian Princess project introduce artificial turf large paintings, processed with layers of acrylic and spray paint. The paintings are displayed on the walls and the floor.

The name refers to a story about a mummy discovered in Pakistan in 2000. The Mummy aroused great interest among the researchers, because of the Egyptian embalming, which was incorporated with writing and symbols from ancient Persia. There were several speculations about the identity of the woman mummified, and the main assumption was of The Persian Princess, 6th century BC, Rodogon, daughter of king Xeroxes I of Persia. Due to the value of this finding began a diplomatic debate between Iran, Pakistan and Iraq, to whom it belonged.

With the progress of archaeological research, there were some errors in the ancient script, as well as errors of the typical embalming of ancient Egypt. Finally, it became clear that it was a fake, and tests have shown that the Mummy pathologies were of an anonymous woman in her twenties, who was murdered in 1996.

The extreme movement between the perception of the archeological object – from an honored Princess to a woman who was murdered, is what shocked me. The works function as a tribute to the anonymous woman who became in an instant from the status of a Princess in a gold-plated coffin displayed in National Museum, to a vicious murder victim that everyone very quickly lost interest in her.

I picked up the signs and symbols used by the forgers, such as engraved rosettes, Cypress gold, the icon of Ahura Mazda, Gold Crown, etc.

Then I painted the symbols on artificial grass, and created a hybrid of lyrical abstract paintings, Persian rugs and graffiti murals. The works that are shown on the walls and on the floor seem to be graffiti murals and next they seem to be rugs, in both cases they are synthetic imitation of the original.

Haaretz Gallery, new exhibitions,

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